Mario Botta Architetti Leading Architects
The Images Publishing Group
Territory: World excluding Japan, South Korea, North Korea, and South East Asia
Size: 300 mm x 223 mm
Illustrations: 250 colour
Name of series: Leading Architects
- Showcases Mario Botta's portfolio of projects and contemporary design talents in stunning full-colour photography, with detailed plans and drawings and comprehensive profile descriptions
- Celebrates almost 40 works of this prolific architect, and is a superb compendium to IMAGES' highly successful Leading Architects Series
- Profiles the insight into the influences of this firm and its practice, while capturing its vision for the future of design, emerging trends and influences that shapes its work
We recognise Mario Botta's buildings for their strong presence. His architecture is not ephemeral. It shapes the mass firmly and precisely. It touches the ground with self-reliance. A building by Mario Botta is an autonomous object. It comprises an ordered world of its own make. It is standing in dialogue with the urban tissue, but it establishes its own order as if it aims at differentiation instead of integration. Architectural order represents the core of his personal idiom. It is a well structured, compositional order which organises everything into a whole, as an underlying thread that connects and brings together houses on the mountains to museums and churches, banks and commercial buildings to buildings on the ground and buildings underground, different buildings at different places in time.
The themes that underlie Mario Botta's architecture are ties that connect and spines that support, common threads that bind one building to the next. His architecture is one of mass. It is then of no surprise that mass is the first thing to be defined and ordered, in his creative process. The volume of his buildings is mostly composed by one or more primary solids. Volume is thus an a-priori for Botta. It is conceived beforehand, the starting point to the adventure of architectural design.
From the Introduction, Thoughts on architectural creativity
By Dr. Irena Sakellaridou